Apple cut final studio

Storytelling at its most powerful.

Object Tracker and Cinematic mode.

With the new Object Tracker, Final Cut Pro uses powerful machine learning to detect faces and objects, then match their movement with titles and effects. And you can now adjust focus points and depth of field on clips captured in Cinematic mode on iPhone 13 for even more dramatic filmmaking.

Creativity that moves.

Use the Object Tracker to add dynamic text or color correction to moving footage. Drag a title, graphic, or effect directly into the viewer to detect faces and other objects using powerful machine learning. Analyze the motion of your target — accelerated by the Apple Neural Engine — in a single click and instantly match its movement. Apply tracking data to other text and graphics to enhance your work even more.

The ultimate
cinematic effect.

Final Cut Pro can transform the look of video shot in Cinematic mode on iPhone 13. 1 With a revolutionary new click-to-track feature, you can choose focus points in a shot and change them over time. Also, adjust a clip’s depth of field effect with a new slider in the inspector, or use keyframes to change the amount of blur in already captured material.

Blazing pro performance.

With optimizations for Apple silicon and its modern Metal engine, Final Cut Pro allows you to edit more complex projects and work with larger frame sizes, higher frame rates, and more effects — all at incredible speeds. And it’s built to harness the extreme power of the new MacBook Pro for next-level performance.

Optimized for Apple silicon

Final Cut Pro features breathtaking performance and efficiency on Mac computers with Apple silicon. Tap into superfast unified memory shared across the CPU, the GPU, and the Apple Neural Engine to play back more high-resolution video streams and render your movie in record time.

Perfected for the new MacBook Pro

Taking full advantage of M1 Pro and M1 Max on the new MacBook Pro, Final Cut Pro delivers workstation-class performance on a notebook you can take anywhere. Complex tasks, like video analysis for object tracking or automatic cropping, are lightning fast on the Apple Neural Engine. And with hardware acceleration of encode and decode, ProRes performance is staggering — in some cases, delivering playback capabilities that are a first for any Mac. Creators can now do advanced editing, color grading, and delivery in HDR on 8K ProRes video — even when they’re miles away from the edit bay.

The tools you need. From start to finishing.

With great new features and an intuitive design, Final Cut Pro accelerates post-production. So editors can create and deliver at the speed of thought.

The Magnetic Timeline allows you to easily experiment with story ideas by moving and trimming clips without collisions or sync problems. Use Compound Clips to bundle separate video and audio clips into a single movable package, create Auditions to try out multiple takes in the timeline, and use Synchronized Clips to align video with second-source audio automatically. Color coding makes it easy to identify different types of content, with the ability to customize the look of your timeline while you edit.

Final Cut Pro offers the most advanced organizing tools of any professional video editing application. Easily tag entire clips or clip ranges with metadata for searching, and create Smart Collections that automatically collect content according to a set of custom criteria. In the browser you can now create and save custom column views and search for media using clip names, markers and notes. Also quickly sort clips by proxy, optimized or missing media types.

Create 2D and 3D titles right in Final Cut Pro, apply and modify filters, and use the built-in chroma key for high-quality green- and blue-screen effects. Expand on the built-in effects with thousands of third-party tools and templates. And for even more control, use Motion to create stunning titles, transitions, generators, and effects you can access from Final Cut Pro.

Final Cut Pro lets you edit multichannel audio using built-in tools for removing background noise and optimizing levels. Adjust multichannel audio files in the timeline or open the inspector for more information and options. Choose from dozens of bundled plug-ins for audio compression, EQ, and more — or send to a professional audio application like Logic Pro for advanced audio mixing.

Quickly encode video using the power of multicore CPUs and high-performance GPUs. Take advantage of presets to deliver ultra-high-quality masters or files optimized for iPhone, iPad, Apple TV, and websites like YouTube and Vimeo. And batch exporting makes it fast to deliver multiple files or projects in multiple formats. You can also use Compressor to create custom export settings that appear right in Final Cut Pro.

Multicam

The industry’s most advanced multicam editing lets you automatically sync up to 64 angles of video with different formats, frame sizes, and frame rates. View up to 16 angles at once in the Angle Viewer. And open the Angle Editor timeline to move, sync, trim, add effects, or color grade individual clips.

Motion and Compressor

Create stunning effects and sweeping graphics with Motion, including studio-quality 2D and 3D titles you can open and adjust in Final Cut Pro. Use Compressor to create custom export settings and streamline delivery of your movie to the iTunes Store. And because Final Cut Pro, Motion, and Compressor all share the same Metal architecture, you’ll experience blazing performance and consistent rendering across applications.

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Resources

Improve your workflow with third-party products, detailed online tutorials, and support from a thriving community of industry professionals.

Plug-ins, devices, and content.

Learn more about the wide variety of plug-ins, content, and devices that extend the power of Final Cut Pro.

Documentation

Explore online user guides for Final Cut Pro, Motion, and Compressor:

Download the user guides as PDFs:

You can also get the user guides from Apple Books:

Learn about the latest updates to Final Cut Pro, Motion, and Compressor:

Ripple Training

Learn the fundamentals and discover advanced tips from the Final Cut Pro experts at Ripple Training.

What’s New in
Final Cut Pro 10.6

Explore the powerful new features in Final Cut Pro 10.6 with free tutorials led by Ripple Training’s Steve Martin and Mark Spencer.

What’s New in Motion 5.6

Mark Spencer provides an in-depth overview of the new features in Motion 5.6 including object tracking and the new Neon filter.

Getting Started in Final Cut Pro

Learn from Ripple Training founder Steve Martin in this free 10-lesson tutorial series for new users.

Getting Started in Motion

Learn the foundations of building beautiful motion graphics.

Core Training

This foundational six-hour curriculum covers the essentials, from import to final delivery and everything in between.

In-Depth Training

Learn techniques for media management, audio editing, color grading, and more in this deep-dive series designed for pros.

iJustine Teaches Final Cut Pro

Follow along with popular YouTuber iJustine, as she teaches you her complete workflow for creating and delivering videos using Final Cut Pro.

Video Encoding in Compressor 4.4

Master the process of video encoding. Learn how to create custom presets, use droplets to save time, and leverage distributed processing with other Mac computers on your network.

Advanced Motion Training

Learn advanced motion graphics techniques including working with particle emitters, replicators and cameras, as well as how to rig and publish your compositions to Final Cut Pro.

Free Quick Tips for Final Cut Pro and Motion

Learn useful tips and tricks to make you faster and more proficient in Final Cut Pro and Motion.

Using 3D Objects in Motion

Mark Spencer shows you how to work with 3D objects in Motion.

Web Tutorials

Whether you’re new to Final Cut Pro or just looking to pick up some tips, you can get up to speed quickly by viewing online tutorials from leading video training developers.

FCP from PremiumBeat

Visit The Beat blog for news, tips, and tricks on Final Cut Pro. Then download Final Cut Pro Editor Kits to learn key Final Cut Pro techniques — such as 3D titles and speed effects — with accompanying tutorials and free PremiumBeat music and Shutterstock footage.

LinkedIn Learning

Final Cut Pro Essential Training is a video-based tutorial series that covers all aspects of Final Cut Pro. Instructor Nick Harauz helps you get up and running, cut a story, mix audio, and deliver a final project. You can also learn new Final Cut Pro editing techniques every Friday in Final Cut Pro Weekly with Nick Harauz and Jeff Greenberg.

macProVideo.com

The Mac Training Specialists at macProVideo.com bring you tutorials for Final Cut Pro and Motion. Stream them in your web browser or download HD videos to your Mac, iPad, and iPhone. Get started with nearly an hour of free Final Cut Pro First Look tutorials.

Hawaiki Motion Tutorials

Learn advanced visual effects and compositing techniques from Simon Ubsdell using Motion.

PowerUp Training

Larry Jordan provides comprehensive training to video editors covering Final Cut Pro, Motion, and Compressor. His conversational style, in-depth techniques, and extensive resources help media pros find work, improve their skills, and keep clients happy.

POST-PROfessionals

Robin Kurz’s best-selling German language Final Cut Pro training includes nearly 15 hours of instruction, starting with the basics and going all the way to project delivery. Learn tips and tricks designed for the beginning editor and experienced professional.

AV Ultra

Free high-quality and professional Motion 5 training from Stanislaw Robert Luberda. Learn the basics of animation using Behaviors and Keyframes, and go further with lessons covering rigging and publishing titles, effects, and transitions in Final Cut Pro.

Pixel Film Studios

David Austin leads you through over 200 easy to understand tutorials for Final Cut Pro — allowing editors to master the program at their own pace.

Tech Talk America

An interactive 12-part course on video production made specifically for small businesses and nonprofits, presented by David A. Cox.

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Final Cut Studio 2: Final Cut Pro 6 — Technical Specifications

Final Cut Studio 2 — Part Numbers
Retail	MA886Z/A
Upgrade from Final Cut Pro	MA887Z/A
Academic	MA886Z/A

Additional Information

Minimum Requirements to Install All Final Cut Studio Applications

•A Macintosh computer with a 1.25GHz or faster PowerPC G4, PowerPC G5, Intel Core Duo, or Intel Xeon processor
•1GB of RAM
•An AGP or PCI Express Quartz Extreme graphics card (Final Cut Studio is not compatible with integrated Intel graphics processors)
•A display with 1024-by-768 resolution or higher
•Mac OS X v10.4.9 or Mac OS X v10.5.5 or later
•QuickTime 7.1.6 or later
•A DVD drive for installation

Available Disk Space

•4GB of disk space required to install all applications (Final Cut Pro, Color, DVD Studio Pro, Soundtrack Pro, Motion, Cinema Tools, LiveType, Compressor, and Apple Qmaster)
•Additional 55GB required to install all optional templates, content, and tutorials (may be installed on separate disks):
•9GB for DVD Studio Pro content
•8GB for Motion templates and tutorial media
•24GB for Soundtrack Pro audio content
•12GB for LiveFonts and LiveType animated elements and templates
•2GB for Apple Pro Training Final Cut Studio Tutorials media

Recommended Configurations

The following are recommended for all applications:

•2GB of RAM when working with compressed HD and uncompressed SD sources
•4GB of RAM when working with uncompressed HD sources
•A display with 1280 x 1024 resolution or higher
•4 GB of hard disc space is required to install all of the Final Cut Studio 2 applications
•An additional 55 GB of hard disc space is required to install all optional templates, content, and tutorials (may be installed on separate discs):

•9 GB for DVD Studio Pro content
•8 GB for Motion templates and tutorial media
•24 GB for Soundtrack Pro audio content
•12 GB for LiveFonts and LiveType animated elements and templates
•2 GB for Apple Pro Training Final Cut Studio Tutorials media

Final Cut Pro 6 — Technical Specifications

Editing and Timeline

•Mix frame sizes, frame rates, and formats in the same Timeline in real time
•Edit at 23.976, true 24, 25, 29.97, 30, 50, or 60 fps
•Multicam editing of up to 128 sources with real-time playback of up to 16 angles
•Source/Record three-point editing model
•Insert and overwrite with or without transitions
•Replace, fit to fill, and superimpose edits
•Edit overlay for drag-and-drop editing
•Blade and Blade All tools for adding edits
•Extend and split edits
•Sync indicators in Timeline
•Adjacent (through edit) indicators in Timeline
•Dupe detection in Timeline
•Keyframe graphs
•Track targeting
•Track locking
•Auto Select tools

Trimming

•Ripple
•Roll
•Slip and slide
•Lift and ripple delete
•Asymmetric, multitrack trimming
•Dynamic trimming
•JKL trimming
•Trim window
•Timeline trimming
•Keyboard and numeric trimming

Effects

•FxPlug support
•Real-time software-based audio normalization
•RT Extreme for scalable software-based, multistream real-time effects in DV, SD, and HD formats
•Real-time effects playback on main display and on NTSC/PAL or HD monitor with perfect synchronization
•Dynamic RT for automatically adjusting playback quality and/or frame rate based on hardware capabilities
•Motion integration for motion graphics work
•Shake integration for visual effects work
•8-bit, 10-bit, and HDR (32-bit floating point) image processing
•Time Remap tool
•Keyframe graphs and editing in Viewer or Timeline
•More than 200 transitions, effects, and filters
•Unlimited effects favorites
•Copy and paste motion and effect attributes
•Unlimited layers with support for nesting
•Bezier curves with movable motion paths
•Numeric control and keyframe capabilities for precise animation and effects
•2D and 3D titles with Boris Calligraphy
•Animated titles, lower thirds, and graphics with LiveType
•Composite and transfer modes
•Import multilayered Photoshop files with layers and alpha support
•Support for many third-party After Effects plug-ins (PowerPC only)
•FXScript and FXBuilder for designing custom filters and effects
•Digital Cinema Desktop for real-time SD and HD preview playback on an attached Apple Cinema Display

Tools

•High-quality real-time video vectorscopes and waveform monitors
•Multitrack Audio Mixer
•Keyboard and user interface customization tool
•Voice Over tool for adding narration directly to Timeline
•Frame Viewer for shot comparisons
•Source timecode overlays in Viewer and Canvas
•QuickView for RAM-based previews of complex multilayered sequences

LiveType

•LiveFonts animated fonts
•Customizable text effects and project templates
•Royalty-free animated content library
•Keyframe animation
•Real-time wireframe preview
•Canvas RAM preview
•Import wide variety of formats
•Resolution independent and scalable
•Individual character control
•Unicode system font support
•Animation for rolls and crawls
•Type on a curve
•FontMaker utility for creating custom LiveFonts

Audio

•Subframe audio keyframing to 1/100th of a frame
•Real-time audio filter adjustments during playback
•Multichannel audio with support for up to 24 channels in and out
•OMF audio export
•Onscreen multitrack mixing console
•External control surface support
•Soundtrack Pro integration for audio mixing and sound design
•Real-time fader automation
•Variable keyframe thinning
•Real-time audio filters and effects
•Sampling at 8kHz to 96kHz and 8 to 24 bits
•Audio level meters (per track)
•Mac OS X Audio Units plug-in support
•Pan controls
•Mute and solo controls
•Audio waveform display in Timeline
•Logarithmic audio fades
•Scrubbing with or without pitch shifting
•More than 25 audio filters

Color Correction

•Send to Color
•Primary (three-way) color corrector
•Secondary (two-way) color corrector
•Image control filters
•4- and 8-point garbage mattes
•Real-time, hardware-accurate waveform monitor and vectorscopes
•Broadcast-safe filter
•Range-checking zebra stripe overlays

Application

•Full Unicode support
•Dynamic window resizing
•Mode-free interface for workflow efficiency
•Multiple sequences and projects open simultaneously
•Up to 99 levels of undo
•99 audio and 99 video tracks with support for nesting sequences together
•System and user preferences
•Easy Setups for quick configuration
•Customizable keyboard
•Customizable real-time effects settings
•Customizable render settings
•Customizable window arrangements
•Customizable user interface buttons
•Customizable Browser layouts
•Customizable track layouts
•External editor support (helper applications)
•Create Support Profile command for improved AppleCare support

•Cinema Tools 4 included
•Create PDF and export XML film lists
•Include timecode and keycode in the same list
•Support for 35mm 3-perf, 35mm 4-perf, and 16mm-20
•Comprehensive, integrated film management tools
•View feet and frames in Timeline
•View keycode and ink number overlays on video in Final Cut Pro
•Film data information in Final Cut Pro Browser
•24-fps EDL I/O
•24-fps EDL conversion to and from 29.97 fps
•Import ALE, ATN, FLX, and FTL files in both Cinema Tools and Final Cut Pro
•Track key numbers, ink numbers, video and audio timecode
•Output the following lists:

•Cut list
•Change list
•Optical list
•Pull list
•Dupe list
•Missing elements list
•Audio EDL

•Link media to database
•Synchronize database with Final Cut Pro
•View film data directly in Final Cut Pro
•Search and sort
•Poster frame capability
•Conform clips to specified frame rate
•Reverse telecine function in either Cinema Tools or Final Cut Pro
•Export ALE files
•Import and export Final Cut Pro batch lists

Supported Formats and I/O*

•Apple ProRes 422 and Apple ProRes 422 (HQ), an 8- or 10-bit, full-resolution VBR format that supports all major frame sizes and frame rates at target bit rates of 145 Mbps and 220 Mbps
•5.1 surround sound monitoring
•Broadcast Wave Format with drop and non-drop frame timecode options
•Native editing for DV, DVCAM, DVCPRO, DVCPRO 50, and DVCPRO HD
•Native long GOP MPEG-2 editing for HDV, including 1080i 50/60, 1080p 24/25/30, 720p 24/25/30/50/60
•Native long GOP MPEG-2 editing for XDCAM EX at 720p 24/25/30/50/60, 1080i 50/60, 1080p24/25/30
•AVCHD and AVC-Intra editing support using ProRes (requires a Mac computer with an Intel processor)
•Support for XDCAM HD at 1080i 50/60/VFR and 1080p 24/25/30/VFR with free Sony software
•Support for Sony XDCAM HD 422 1080i 50/60, 1080p 24/25/30, 720p50/60
•Native 25-Mbps CBR, 18- and 35-Mbps VBR MPEG HD for XDCAM HD
•Native editing for IMX at 30, 40, and 50 Mbps for SD
•Native editing for P2 at 1080i 50/60/VFR and 720p 24/24N/25/25N/30/VFR from P2 cards
•1080pA 24 (Advanced Pulldown) supported via FireWire from AJ-HD1200A and AJ-HD1400
•P2 import dialog with browse, mark, and background ingest
•IMX ingest and output supported with optional third-party software
•Uncompressed 8- and 10-bit HD (4:2:2 YUV) via PCI card
•Uncompressed 8- and 10-bit SD (4:2:2 YUV) via FireWire or a PCI card
•Apple Intermediate Codec
•OfflineRT Photo-JPEG codec
•HD at 1080i 50/60, 1080p 23.98/24/25, and 720p 24/25/30/50/60
•Pulldown tools for telecine insertion and removal
•25 fps @24 fps conversion
•Frame-accurate log and captures
•Frame-accurate edit-to-tape
•Serial device control (RS-422, RS-232)
•FireWire device control
•Log and capture tool with support for batch, clip, and on-the-fly capturing
•Still images: PSD, BMP, JPEG, PICT, PNG, SGI, TARGA, TIFF
•Insert and assemble editing to tape
•Compressor for encoding, format conversions, and batch processing

Media Management

•Export OMF with volume and pan metadata
•Media management tools
•Render file manager
•Extensive search, sort, and sift capabilities in Browser
•Rename Clips to match Media and vice versa
•Maintain Master clips across multiple projects
•Clip labels
•Custom comment fields
•Integrated film database with Cinema Tools 4
•Master and affiliate clips
•Move, copy, and transcode items at sequence or project level
•Consolidate, trim, or archive
•Online with automatic reconnect and batch capture capabilities
•EDL I/O
•Autosave Vault
•XML interchange format for custom integration work
•Batch export
•Compressor integration

*Some features require additional hardware. Capturing HD resolution video using the ProRes 422 format requires a Mac Pro with an Intel Xeon processor or a G5 Quad computer and a qualified third-party capture card. DV, DVCPRO 50, and DVCPRO HD output requires a FireWire-enabled camera or deck. SD output via FireWire requires an AJA Io. Please contact your Apple Authorized Reseller for information.

1. Copy protection requires that you output your project to a replicator. Macrovision requires that users work with a Macrovision-certified replication facility or execute a Macrovision usage agreement. Check with your replicator for costs and minimum quantities

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