Fiona apple the idler wheel is wiser

Fiona apple the idler wheel is wiser

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Fiona Apple – The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do (2012)

Уже второй год подряд, когда начинает идти крепкий снег, у меня возникает желание слушать этот альбом. Он взрывает мозг, как и снег. Первая песня чертовски снежная, а затем я уже не могу оторваться. В каждой песне куча огня, настоящая жизненная театральность. Какой поп, какие реверансы? Фиона Эппл лично меня убеждает в том, что я легко мог этого не слышать, если бы не ее внутреннее неотвратимое желание петь все это в студии-комнате, которая столь же подробно возникает в голове, как и сама певица. Почти каждая песня слушается с комком в горле, но не потому что печальная такая, а потому что со мной как будто делятся историей, которую нужно кому-то высказать. А я выслушиваю, и верю, и отзываюсь. Послушайте, прочувствуйте надрыв вот этот в самой середине песни Daredevil. Во-о-от, а теперь во всех остальных.

А в последней песне мне слышится слово «Московский». Но она гениальна не поэтому.

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Fiona Apple ‎– The Idler Wheel Is Wiser Than The Driver Of The Screw And Whipping Cords Will Serve You More Than Ropes Will Ever Do

Содержание

1	Every Single Night	3:33
2	Daredevil

3:28 3 Valentine 3:32 4 Jonathan 5:03 5 Left Alone 4:50 6 Werewolf 3:12 7 Periphery 4:58 8 Regret 5:16 9 Anything We Want 4:40 10 Hot Knife

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Источник

The Idler Wheel Is Wiser than the Driver of the Screw and Whipping Cords Will Serve You More than Ropes Will Ever Do

Universal acclaim — based on 325 Ratings

Universal acclaim — based on 325 Ratings

• Summary: The singer-songwriter began recording her fourth studio album in secret in 2008 or 2009.

• Record Label: Epic
• Genre(s): Pop/Rock , Adult Alternative Pop/Rock , Alternative/Indie Rock , Contemporary Singer/Songwriter , Alternative Pop/Rock , Contemporary Pop/Rock , Alternative Singer/Songwriter
• More Details and Credits »

Critic Reviews

User Reviews

I grew up around the spectacular talent that is Fiona Apple. Her first album came out two years prior to my birth, so from practically day one I grew up around the spectacular talent that is Fiona Apple. Her first album came out two years prior to my birth, so from practically day one I’ve been with her. And I love it. I love her insanity, I love her attitude, I love the sadness and the anger and the feeling that she has. The greatest part of this album is that it’s all there and on display for anyone. I very honestly believe the only way you can’t like this album is if you haven’t experienced real, true to the heart pain, or if you don’t like to enter someone’s mind as deeply as you do with this album. Apple leads us on a dark, deep, terrifying journey through her inner thoughts and it’s something you’ll never forget. My Favorite Songs :

— Werewolf: I don’t like to say this, but ‘Werewolf’ is essentially perfect. It’s sad and looming, but her voice is so strong and pained. It’s very, very Fiona and very, very wonderful. From the first time I heard it, I fell in love and haven’t stopped listening to it since.

— Every Single Night: This song is all about strength and going from just a step above whispering to full force. The lyrics are not only hypnotic, but stunningly beautiful and as poetic as you can get.

— Anything We Want: I adore this song because of it’s simplicity. It’s Fiona and a little bit of background exactly how I love her. Daredevil: This song is strong and powerful. It has energy and she really goes all out with her insturments in a great, understated way.

— Hot Knife: There isn’t much to say about this song except that it’s wonderfully sexy, and is far from anything in any genre. It really takes on it’s own sound.

— Left Alone: The lyrics are perfect. Absolutely riveting. Not to mention the overall sound of it all it’s just wonderful. Everything goes together just as it should.

— Valentine Johnathan Regret: These three songs are all of the same sad, generally deep and painful sound. Fiona cries her heart out to get the sound and it shows that emotion is much, much better raw in music.

— Periphery: Even though this is listed as last, it’s still one of very favorite songs of all time. It’s strong and gets stuck in your head like you wouldn’t believe.

All in all, I personally believe this album will be one of my favorites from the day I bought it to the day I die. It’s timless, beautful, striking and painful at times. It’s not meant to be smooth and pretty, it’s meant to be an emotional ride and damn, that’s exactly what it is. … Expand

Источник

Fiona Apple – The Idler Wheel Is Wiser Than The Driver Of The Screw And Whipping Cords Will Serve You More Than Ropes Will Ever Do

Label :	Clean Slate – 88725402512 , Epic – 88725402512
Format :
Country :	US
Released :	Jun 19, 2012
Genre :	Rock, Pop
Style :	Alternative Rock, Pop Rock, Ballad

Tracklist

CD-1	Every Single Night	3:33
CD-2	Daredevil	3:28
CD-3	Valentine	3:32
CD-4	Jonathan	5:03
CD-5	Left Alone	4:50
CD-6	Werewolf	3:12
CD-7	Periphery	4:58
CD-8	Regret	5:16
CD-9	Anything We Want	4:40
CD-10	Hot Knife

4:01 DVD-1 Fast As You Can (Live) 4:54 DVD-2 A Mistake (Live) 5:23 DVD-3 Anything We Want (Live) 4:32 DVD-4 Sleep To Dream (Live) 4:23 DVD-5 Every Single Night (Live) 3:17

Companies, etc.

• Copyright © – Epic Records
• Phonographic Copyright ℗ – Epic Records
• Record Company – Sony Music Entertainment
• Distributed By – Epic Records
• Recorded At – Stanley Recordings
• Recorded At – NBB Studio
• Mixed At – Waystation
• Published By – FHW Music
• Glass Mastered at – Sony DADC – DIDX-813356

Credits

• Acoustic Bass, Guitar [Harmony] – Sebastian Steinberg
• Art Direction, Design – Eric Roinestad
• Kora [Cora], Autoharp, Other [Truck Stomper, Dance Partner, Pillow, Feedy’s Brother], Percussion, Guitar [Guichar], Bouzouki, Marimba, Drums [Drum Set], Strings [Voice Strings], Recorded By [Field Recordist], Voice [Voice Of Pain], Baritone Vocals, Harp [String Harp], Guitar [Teisco], Producer – Seedy*
• Management – Andrew Slater
• Management [For] – Slater Entertainment
• Mastered By – Howie Weinberg
• Mixed By – Dave Way
• Recorded By [Field Recordist], Loops [Loop Maker\Performer], Other [Truck Stomper, Dance Partner], Percussion, Piano, Celesta [Celeste], Strings [Voice Strings], Vocals [Singer], Keyboards [Bass Keyboard], Producer – Feedy*
• Recorded By [NBB Studio] – Edison Sainsbury*
• Recorded By [Stanley Recordings] – John Would
• Words By, Music By, Artwork [All] – Fiona Apple

Notes

Recorded at Stanley Recordings, Venice, Los Feliz CA
NBB Studio NYC

Mixed @ Waystation — CA

Deluxe CD/DVD package includes The Idler Wheel. CD in a 5.5″ x 7.5″ 40-page book filled with Fiona’s lyrics, drawings and sketches, along with 2 personal photographs and a fold-out album poster. The bonus DVD contains footage of Fiona performing five songs live from her first tour in 5 years, shot at SXSW/Austin in March ’12.

Источник

Fiona Apple
The Idler Wheel.

Review

Release Date: 2012 | Tracklist

Idler wheel (noun): 1. A wheel, gear, or roller used to transfer motion or to guide or support something.

Fiona Apple doesn’t so much write albums as she does give birth to them, expunging the songs out of herself in a sea of self-flagellation, venom and red, red, red. The Idler Wheel is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do was a tougher germination than most, coming seven years off of the studio fiasco that produced the strangely ebullient, jazzy Extraordinary Machine, and it shows – nothing on this record comes easy. Apple spends years and years keeping to herself, performing one-off shows at her favorite intimate venues, and her claims that she gets what feels like the flu every time she leaves her home and that she doesn’t know how to drive are the very definition of the Artist Recluse. The songs here don’t sound like the result of any pre-production planning, of careful songwriting and the common mark of a pen and the irritating rub of an eraser. No, these songs pour out of the speakers like a wave, unrepentantly raw and crushingly determined. I have a tough time analyzing The Idler Wheel as a result; as more than anything else Apple has done, it sounds like her truest work, the very definition of one’s innermost thoughts spooling out into the air. In an illuminating interview with Pitchfork, Apple described her music as “the stuff that I really needed to get out, [the] excrement of my life, the excrement I was trying to exorcise out of me.” Shut the doors, stop the presses: this is The Idler Wheel in a nutshell.

“I don’t cry when I’m sad anymore.”

It comes at you fast, from the opening verses of “Every Single Night,” that throaty, full-bodied voice that sounds so uniquely, wonderfully Fiona. There’s the gentle brush of a drumstick, the background tinkle of a piano, the softest bump of percussion, but Apple’s voice is the centerpiece, starting off in quiet anguish: “Every single night I endure the flight / of little whims of white flame / butterflies in my brain.” Then her voice arcs up into that potent roar in the chorus, unadorned and all the more majestic for it. This is the template of The Idler Wheel: Apple’s voice, front and center, taking stock of all her pains, her insecurities, the ugly moments that make up far too much or her life and everyone else’s. The album is ruthless in its unflinching look at Apple, stripped and bare of protection or any sort of emotional wall. “Left Alone” details her inability to coexist with the guy who was right for her all along: “Oh God what a good guy / and I can’t even enjoy him / ‘cuz I’m hard, too hard to know.” Ever the centerpiece, her vocals fluctuate with her emotions, rending the speakers with a desperate howl when she reaches the denouement of “Left Alone,” punctuating each word with a vindictive bit of imaginative spit on the deceptively lovely “Periphery,” and bouncing lightly to and fro on the a capella show-off “Hot Knife.” It’s a visceral performance, one that seems to reach a jagged emotional high on the vicious torch song “Regret” but never truly peaks in any one song, instead twisting and turning around Apple’s swirling moods and piercing lyrics to fit the tone of each. It’s exhausting, to be sure, but it’s also liberating, being able to peer into the psyche of an artist and having her stare back at you, uncompromising and courageous and standing on her own. “I don’t wanna talk about anything,” Apple sings on “Jonathan;” I do think the lady doth protest too much.

Whip (verb): 1. To whip the end of a line is to lace it tight with light line (whipping twine) so it won’t unravel.

Accompanied only by her trusty piano and bandmate Charley Drayton’s superb percussion work, Apple is simultaneously at her loosest and most focused, unburdened by the flashy production that marked Extraordinary Machine. There’s nothing elaborate here or bejeweled besides that ever-shifting voice, and Drayton’s work is note-perfect; a soft thwump there, a gravelly shuffle here, all barely rising above the level of a tap. Indeed, many of the arrangements fall just short of skeletal, a harmonic shading or the occasional multi-tracked rhythm, but in its unfettered, jazzy inflections much of The Idler Wheel comes off as the perfect lounge record: we are sitting here, a dark room with wooden floors and liquor stains, watching Apple perform under the bright lights, the haze of cigarette smoke doing nothing to obscure that voice. It forces the songwriting to shine through, whether it comes immediately like the hook on “Periphery” or whether it surges to the surface after percolating a bit as “Werewolf” or “Every Single Night” do. But there are no pithy singles here and nothing that arrives with an easy promotional angle, Apple finally pulling off the blatantly anti-commercial promise she has hinted at ever since her sly, subversive “Criminal” video aired fifteen years ago. Instead, there’s a vigorous determination and a terrifying dexterity, in both the album’s free-flowing style and in Apple’s own vocal cunning. She is fully untethered, not having to answer to the whims of a record company or the desires of a producer, and as a result The Idler Wheel never has to stop to wonder what it’s all about.

“Nothing wrong when a song ends in a minor key.”

Apple’s greatest gift has always been going to the darkest part of herself, the heartache and jealousy and self-loathing and rage, the same parts that everyone grapples with daily, and staring it right in the eye, giving no quarter to it as she belts it all out. It’s a refreshingly candid quality and one that makes Apple, for all her inhumanly agile vocals and odd idiosyncrasies, one of the most relatable singer-songwriters of her generation. More so than any of her previous albums, The Idler Wheel, with its spartan production, shines an uncomfortable light on all those uneasy insecurities, everything messy and tense about the human condition. Yet there Apple is, at the forefront of every song, opening by expelling the ideas that split her skull on “Every Single Night” and finishing as the confident man-eater of “Hot Knife.” She has never sounded as good, as irascible yet as in control as she does here. It’s compelling vocal drama, told through the twists and turns of her voice and the softly pervasive arrangements, and Apple is crystal clear in her protestations and so, so easy to empathize with. To bare your soul to an audience starved for seven years for your work, to go about it as tenaciously and unshrinking from all expectations and to succeed, as Apple unequivocally does here, in getting that audience to feel what she is feeling, or at least to be a part of it all for a little; The Idler Wheel is an emotional thesis that cannot be ignored. It is perhaps the most unforgettable work of her career.

Источник