Jackson candy apple red

Jackson X Series Signature Scott Ian King V KVXT Candy Apple Red (2021)

Description

A co-founder of New York “Big Four” thrash metal institution Anthrax, guitarist Scott Ian has pummeled audiences with his huge sound and formidable chops for close to four decades.

Experience the veritable thrash godfather’s signature tone with the X Series Scott Ian King V™ KVXT, offering a 24.75” scale length, mahogany body, through-body maple neck with graphite reinforcement and scarf joint. The 12”-16” compound radius laurel or rosewood fingerboard features 22 jumbo frets and pearloid block inlays. Its versatile voice is powered by a pair of Duncan Designed™ humbucking pickups— a biting HB-103B humbucking bridge pickup is matched to a powerful HB-103N humbucking neck pickup for articulate tone. This signature axe also features a Jackson compensated and adjustable TOM-style bridge with anchored tailpiece, Jackson die-cast tuners and pointed 6-in-line-headstock.

The KVXT is available in (NEW!) Candy Apple Red with a white pickguard, Gloss Black with a mirror pickguard or Ivory with a white pickguard — all accentuated with chrome hardware, black dome-style single volume and tone controls and a black three-way toggle switch.

SCOTT IAN
Scott Ian is an American musician, author and spoken word storyteller best known as the rhythm guitarist, backing and additional lead vocalist, and the only original remaining member of the thrash metal band Anthrax. He writes the lyrics on all their albums. Ian is the guitarist and a founding member of the crossover thrash band Stormtroopers of Death for which he is also the lyricist. He has hosted The Rock Show on VH1 and has appeared on VH1’s I Love the… series, Heavy: The Story of Metal, and SuperGroup. Ian is also the rhythm guitarist for the metal band the Damned Things, and played with experimental band Mr. Bungle for seven reunion shows in 2020.

JACKSON
Jackson guitars began back in the late 1970s, when heavy music experienced a flamboyant and virtuosic resurgence in popularity and a small Southern California guitar repair shop became the epicenter of a new level of shred-approved excellence. Ever since then, Jackson guitars have been universally lauded as the metal guitars; the shred machines—highly original high-performance instruments of distinctive style and formidable substance. www.jacksonguitars.com

Additional information

24.75″, Graphite reinforcement, Maple, Neck-Thru-Body

Источник

CB06 Candy Paint — Red Apple (Красное яблоко)

CB06 Candy Paint — Red Apple (Красное яблоко)

Прозрачное, цветное базовое покрытие используется в трехслойной системе окраски Подложка / Candy / Лак, в качестве цветного, прозрачного слоя.

Очень красивое покрытие. Часто применяется в реставрации ретро автомобилей и приданию любому транспорту необыкновенный эффект леденца.

Прозрачная краска, которая подойдет для решения многих дизайнерских задач. Будь то покраска автомобиля или тонировка в определенный цвет детали, аэрография на базе Candy, все получит насыщенност и глубокий оттенок.

Подложенное под Candy покрытие в виде базы светоотражающего металлика, ярко высвечивает в солнечных лучах контуры автомобиля, когда как флоп (по касательной) принимает темный оттенок и практически теряет прозрачность. Все это дает неподдельную дороговизну и замечательный вид.

• Внимание!! Candy краски в виду слабой светостойкости требует защиты от ультрафиолета (выцветания). Для этого у нас в продаже есть специальный Лак (в разделе «Лаки») или добавка в лак «УФ Фильтр» (в разделе «Сопутствующие»). Не выцветающих «Candy» не существует в природе и не зависит от производителя. Стандартные лаки не имеют достаточной защиты от ультрафиолета, даже если о таковой пишут в характеристике к лаку (это защита от разрушения лака, а не от проникновения УФ).

• ПОДГОТОВКА ПОВЕРХНОСТИ
  Подготовка поверхности аналогично как для покраски обычной базой типа «металлик», где риска от абразива не должна быть крупнее P800.
  Не допускайте использования пористых материалов типа некачественного грунта и шпаклевки, которые будут впитывать краску Candy, склонную к миграции в соседние слои. По необходимости используйте изолирующий грунт.
  Замаскируйте детали не требующие покраски. Обезжирьте окрашиваемую поверхность.

• НАНЕСЕНИЕ ПОДЛОЖКИ
  На окрашиваемую поверхность нанесите заранее выбранную подложку. Учитывайте что высокое отражение подложенного покрытия дает основной эффект подсвечивая краску Candy изнутри (рекомендуем специальные подложки FXColor).
  ВАЖНО! Не используйте мутные металлики и перламутры, которые занижают эффект (консультируетесь с технологами FXColor)
  Используйте инструкцию по нанесению в соответствии с выбранным покрытием. Увеличивайте выдержку между слоями для максимального выпаривания разбавителей (блокировка лаковым слоем большого количества разбавителя введет к ухудшению адгезии)

• НАНЕСЕНИЕ CANDY БАЗЫ
  ПРИ ИСПОЛЬЗОВАНИИ КОНЦЕНТРАТА: Для приготовления базы Candy, смешайте концентрат и биндер (прозрачную базу) в соотношении примерно 1:20 соответственно. Соотношение концентрации можно менять на свое усмотрение.
  Разбавьте Candy базу в соотношении 1:0,7 разбавителем для базы.
  Нанесение Candy базы производится на собранный автомобиль, где все детали устанавливаются на свои места, это требуется для равномерного нанесения краски на автомобиль.
  Настройте окрасочный пистолет с дюзой 1,3-1,4 мм. как для покраски базы. Проходы факелом краскопульта делаются мокрыми слоями, по всей окрашиваемой длине без остановки, с небольшим перекрытием предыдущей полосы. Увеличивайте выдержку между слоями для максимального выпаривания разбавителей (блокировка лаковым слоем разбавителей введет к ухудшению адгезии)
  Сделайте тест-напыл перед началом покраски для понимания процесса и выбора нужного оттенка. Помните, что искусственный свет изменяет цвет и обманчив (метамерия) так же, как и не лакированная поверхность не дает полноценного вида, учтите это.

• НАНЕСЕНИЕ ЛАКА
  Нанесите 2 слоя, лака UVHS или UVMS (с защитой от проникновения ультрафиолета) от FXColor или используйте свой лак с добавлением добавки UVF01 UV Filter в соотношении 1:20. Высушите в соответствии с инструкцией к лаку. После полной сушки отполируйте по необходимости.

• Записывайте формулу микса краски для легкого восстановления покрытия в случае будущего ремонта детали. Передавайте информацию о используемых покрытиях владельцам автомобиля.

Расход указан ориентировочно из расчета полученной Candy бызы путем смешивания концентрата и биндера в соотношении 1:20 или 1:30 (по предпочтению насыщенности, определяется путем теста)

• • A1 — Крупный автомобиль
    

  3. Candy база CBXX — 6 л.

  • A2 — Седан среднего размера
    

  3. Candy база CBXX — 4 л.

  • A3 — Малоразмерный автомобиль
    

  3. Candy база CBXX — 3 л.

  • M1 — Мотоцикл Большой / Диски колесные полностью
    

  3. Candy база CBXX — 1 л.

  • M2 — Мотоцикл Малый / Диски колесные снаружи
    

  3. Candy база CBXX — 0,5 л.

  Источник

  David Gilmour’s V57 Candy Apple Red Stratocaster

  

  David Gilmour is widely associated with the Stratocaster. For many, the Candy Apple Red V57 is perhaps the most iconic. Especially of the post-Waters era of the 80s and 90s. In this feature we’ll look at the technical details and history of the guitar.

  In early 1984, David and his long-time technician Phil Taylor, visited the Fender Warehouse in Einfield, Middlesex, UK and tried a bunch of the new reissue guitars from the Fender Fullerton. This was just prior to David heading out on the About Face tour and apparently, he didn’t want to bring his old guitars as they now started to rise in value (International Musician August 1984).

  They ended up with at least seven guitars, including the candy apple red V57, a vintage white V57 Stratocaster (referred to as Cream #1 – main guitar on the 1984 About Face tour and first half of the 1987-90 Momentary Lapse of Reason tour), a fiesta red V62 Stratocaster (used extensively on the 1984 About Face tour and later performances in 1985-86) and a butterscotch V52 Telecaster.

  David also acquired some lesser known guitars from the same batch, including a sunburst V57 Stratocaster (used on Live Aid 1985), a black Elite Stratocaster (heavily modified with Khaler tremolo system and Charvel 22 fret birds eye maple neck as a backup for the Black Strat) and a black V57 Stratocaster (later fitted with Kinman HX pickups and used by Tim Renwick on the 1994 Division Bell tour, Phil Manzanera on the 2006 On and Island tour and John Carin on the 2015-16 Rattle That Lock tour).

  Fender 1982-85 American Vintage Reissue series

  By the early 80s Fender began to realise that the 70s had been disastrous for the company. Other guitar companies were starting to make copies of the Fender guitars that were superior to their own, which obviously was not good for business.

  The new line of vintage reissues were starting to appear in late 1982, although not fully realised and distributed until late 1983. The line ran up to 1985, when CBS pulled out of Fender. The vintage reissue project became the forerunner to the later Fender Custom Shop.

  All guitars were faithful to the originals, with original body and neck contours, nitro lacquer and vintage style hardware and pickups. The only obvious upgrade on the Stratocaster, was the 5-way pickup selector. According to project manager Dan Smith, the reason for making 57 Strats and not 54 or 56, was basically because 57 seemed to have been a defining year in American art and pop culture.

  David Gilmour’s #1 red

  David Gilmour’s Candy Apple Red Stratocaster is often listed as 1984 (including the original paperwork for the purchase), although a late 1983 would probably be more accurate, given that the guitar was purchased in the UK (it had to be shipped from the States) in January 1984.

  David Gilmour pictured (left) with the red Stratocaster in early 1984 for a promotional shot for About Face. Note the guitar is seen with original pickups. The EMG SA pickups were installed summer 1985 just prior to David performing with Bryan Ferry’s band at Live Aid (right). The guitar now also sported the custom shortened tremolo arm.

  Upon purchase, the guitar sported a 1950s contoured candy apple red nitro lacquered alder body, a 7.25” C-shaped nitro lacquered vintage tint maple neck, 8 hole 1 ply white pickguard, white pickup covers and control knobs and 50s era pickups.

  The guitar is first spotted on a promotional shot for About Face in March 1984. The picture shows the guitar prior to any modifications.

  Modifications

  June – July 1985, original pickups and tone controls replaced with EMG SA single coils and SPC and EXG active tone controls. By now the guitar also sported David’s custom 4.25” tremolo arm.

  October – November 1985, the guitar is fitted with a Dive Bomber Tremolo Upgrade system for better tuning stability. It’s a kit featuring a graphite nut and string trees, saddles with roller nuts and high quality springs. The system was soon removed.

  Closeups of David Gilmour’s red Stratocaster reveal the serial number V013327 on the original neck plate (left), some lacquer wear and some tape marked #1 (right). (pictures by Frederic Peynet taken at the Interstellar Exhibition in Paris 2003.)

  February 1988, during Pink Floyd touring dates in Sydney, Australia, guitar technician Greg Fryer performs repairs and modifications including maintenance on the frets and nut and carving out the cavity of the guitar to be able to lower the EMG pickups even more.

  EMG SA pickups

  EMG had been making active noiseless pickups since the late 70s. The SA single coils (Single coil Alnico magnets) feature alnico 5 magnets, internal shielding, a low impedance preamp and 9V battery powering.

  According to David Gilmour, the reason for installing the SA pickups in his new V57 Stratocasters (both the red and the vintage white), was to reduce or eliminate noise. Passive single coils and long cable runs were constantly picking up RF noise and hum from the ever growing light rigs and often, a recording studio was no better.

  Active pickups will also drive the signal through large pedal and amp rigs, which certainly must have been a reason for David to use them.

  Soundwise, the SAs are very similar to early Fender pickups and the 60s era in particular, with a tad more mid range and compression due to the slightly higher output.

  While EMG recommends placing the pickups close to the strings, David preferred them as low as possible to emulate the output and tone of his passive single coils.

  David also installed EMG active tone controls, the SPC boosting the lower mid range (400-500Hz) and the EXG, boosting the bass and treble frequencies.

  A closeup of David Gilmour red Stratocaster with the EMG SA pickups (left). Note the slight wear on the middle pickup in particular. This is probably where David would hit his pick while strumming. The original maple neck (right) with wear in the nitro lacquer on the second to fifth fret. (pictures by Jørn-Terje Larsen taken at the Christie’s Auction display in London May 2019).

  David seems to have kept the EXG control low or flat for most of his tones, while the SPC was often boosted slightly for solos in particular, anything between 2-7, allowing the tones to both cut through and sustain. For clean tones and milder overdrive, he seems to have kept the tone controls off or flat, occasionally boosting the SPC slightly.

  Surely, David would adjust the tone controls based on what he needed right then and there, depending on how the guitar sounded in the particular venue or studio.

  By 2005 and the recording and touring of On an Island, David went back to his Black Strat favouring both its performance and tone, commenting that the EMGs “didn’t sound quite as “Stratty” in some ways”. (Guitarist 2006)

  Performance history

  The candy apple red V57 made its stage debut July 13 1985 at Live Aid at London’s Wembley Stadium. David played guitar with Bryan Ferry and started out with the 1984 sunburst V57, which failed during the first song. In the middle of Ferry’s Sensation, David is seen swapping the sunburst with the red, which he used for the remainder of the short set. The red now sported the EMG pickups and tone controls and David’s custom shortened tremolo arm.

  The red was used extensively during the 1986-87 recording sessions for Pink Floyd’s next album, A Momentary Lapse of Reason, alongside a wide range of different guitars, including a Steinberger GL 3T.

  David would use different guitars during the first leg of the subsequent tour, favouring in particular the 1984 V57 blonde Stratocaster, also sporting EMG pickups and the shortened tremolo arm, and a 1981 Charvel Glendora, modified with an EMG H humbucker and shortened tremolo arm.

  By 1988, the red had become David Gilmour’s primary recording and touring guitar. Here seen during the 1988-89 leg of the Momentary Lapse of Reason tour (left) and during the 1994 Division Bell tour (right). Both tours were filmed and relased on double live albums and VHS/DVD.

  By early 1988, as the Pink Floyd tour continued, the red became David’s guitar of choice and remained as his primary recording and touring instrument until 2005.

  The guitar was used extensively throughout the 90s on several guest appearances and perhaps more notably, on the 1994 Division Bell album and tour, including the Pulse live album and DVD. For the tour, David wanted a second red V57 as a back up for his #1. They managed to track down an identical guitar in Charlie Chandlers guitar store right outside London. Apparently, this was the same guitar David had his eyes on back in 1984 but Mick Ralphs beat him to it. Mick was of course David’s rhythm guitarist on the About Face tour.

  David used the red for a performance of Sorrow at the Fender Stratocaster 50th anniversary show September 24 2004 at London’s Wembley arena (released on the Strat Pack – Live in Concert DVD 2005).

  On July 2 2005 Pink Floyd reunited for a last time at the Live 8 concert in London’s Hyde Park. David is seen using the red during rehearsals but favoured the Black Strat for the actual performance. Although the red would be employed for the 2006 On an Island recording sessions and tour, Live 8 marks the return of the classic Black and semi-retirement of the red.

  The red V57 was displayed at the 2003-04 Interstellar Exhibition and at the Their Mortal Remains exhibition in 2017.

  The guitar was auctioned at the 2019 David Gilmour Christie’s auction fetching USD 650.000.

  It is not documented whether David still own the second red V57 purchased in 1993.

  Источник

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