What are apple jackson

The Minds Behind Apple Music Explain How What A Time To Be Alive Became A Global Moment

Zane Lowe and Larry Jackson talk about how Beats 1’s OVO Sound Radio began, and how it launched a top-selling album

Like almost everything Drake does at this point, last Sunday’s release of What a Time to Be Alive, his mixtape with Future, was a master class in how to create a moment. Drake teased the tape onstage in Atlanta on Friday night then confirmed it on Saturday afternoon by posting its cover art—a minimal photograph of diamonds—to Instagram. Soon after, fans flooded social media with a fury of diamond emojis, more efficient and delightful than any hashtag.

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Before its release on iTunes and Apple Music, where it would appear exclusively for five days, the tape played twice on OVO Sound Radio, the Beats 1 radio show of Drake’s label. Since its launch on Apple Music’s live radio station in July, OVO has used the show as their main platform for debuting Drake music, as well as music from label artists like PARTYNEXTDOOR and Majid Jordan. For the mixtape stream, the show moved from its bi-weekly Saturday slot to Sunday night, their broadcast sandwiched just-so between Sunday afternoon NFL games and the Emmy awards. On Twitter, mentions of the tape smashed mentions of the Emmys, which was broadcast on primetime network television. According to a report from Twitter, there were over 1.6 million mentions of the artists (Drake and Future and/or their Twitter handles) or the album name in the 24-hour period from when the album was first played on Sunday.

The tape’s Beats 1 debut was the best return so far on the promise Apple made when it announced the radio service back in April, saying it would create a new global listening experience and showcase unparalleled exclusives. According to Apple Music leaders Larry Jackson (Apple Music’s head of content) and Zane Lowe (the superstar DJ who joined Beats 1 after a monumental run at BBC), Sunday’s OVO Sound show was also the fruition of a year spent building trust between Apple and the OVO camp, and an example of how Apple’s knack for keeping big surprises secret can be applied to music, too, and boost an album’s cultural footprint.

A photo posted by Larry Jackson (@thelarryjackson) on Jun 8, 2015 at 9:54am PDT

Speaking over the phone from Los Angeles, Larry Jackson, who joined Apple in June 2014 after years as an A&R executive at Interscope, said that Drake’s relationship with Apple began in November 2014. Jackson met one of Drake’s managers, Future the Prince, at a dinner thrown by Lebron James’ manager Rich Paul. Jackson questioned OVO’s methods of releasing Drake’s songs on Soundcloud and then putting up the most popular ones up for sale on iTunes. This allegedly began some deeper thought in Drake’s camp about having some alternative means of distribution.

According to Jackson, the idea for an OVO radio show on Beats 1 came before Drake’s much-talked-about deal with Apple was made. But by the time Jackson and his Apple Music team were preparing to announce Apple Music, they decided that Drake would be the person who would best “personify and embody the modern musician and how they put their music out online in particular.”

Before the first episode of OVO Sound radio aired in July, El-Khatib and Drake made a “dummy run” episode and sent it to Lowe and Jackson. “We were like, ‘This is absolutely perfect,’» Lowe told The FADER over the phone from London. “It’s not talk breaks and distractions, it’s just amazing music.” Since the show’s launch, OVO has had total control over their show and sometimes sends in the finished version of a week’s episode only 30 minutes before air, Jackson and Lowe said. Similarly, for weeks before its release, What a Time to Be Alive was kept almost completely secret. Releasing it on iTunes and Apple Music the minute after its play on OVO Sound Radio was over, Jackson said, was “a very hard magic trick to pull off.”

In late August, Jackson got a call from Drake and Future the Prince about a new project Drake working on with Future in Atlanta. (This wasn’t unusual—Jackson said he now speaks with someone from OVO every day.) “Somehow they knew I was having a really shitty day,” Jackson jokingly said. “And they said, ‘OK, we got something to make your day better. They started talking about the concept, and I loved the idea.” Apple was thrilled with the idea of premiering the project on Beats 1, and Jackson said that Drake was happy with that arrangement as well. “They realized that we had created a really powerful platform with this radio show and how big the numbers are on it, and that it would be absurd to do something else with it,” Jackson said. (Apple declined to reveal any ratings or listener numbers, but Hits Daily Double reported that the album was streamed 29 million times on Apple Music in the U.S. during its first 72 hours of release.)

A photo posted by Larry Jackson (@thelarryjackson) on Sep 25, 2015 at 7:12am PDT

Lowe said Apple has taught him about the importance of executing an idea precisely, and sees the success of Drake and Future’s album as an example of this. “When people hear, see, experience something for the first time,” he said, “they want to know that whoever made it or was involved in it is taking real care to ensure that it’s delivered the right way. You can build something special and blow it completely with execution. I think something that OVO does really well is execute things perfectly in terms of what works for them.” Lowe applauded the “authenticity” of Oliver El-Khatib, one of Drake’s managers and OVO Sound Radio’s main curator. El-Khatib knows what OVO Sound listeners want to hear, and delivers it, Lowe said.

On Sunday, Larry Jackson and Zane Lowe listened to What a Time’s debut on OVO Sound Radio together, at Jackson’s home in Los Angeles. They celebrated with a few beers and admired the view from Jackson’s backyard—“Larry has a lot of good views, and the one from his house is definitely one of them,” Lowe joked. At the helm of Apple Music, these two have been tasked with imagining music’s future, dreaming up tools artists and labels can use to connect with fans. But that night, they listened and watched along on social media just like everyone else. “It’s awesome to watch a lot of people tuning into this thing and expressing themselves and how they felt about it,” Lowe said. “It was an honor to have a small part in that.”

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What are apple jacks?

Asked by: Kathryne Jones

Apple Jacks is an American brand of cereal produced by Kellogg’s and targeted mainly at children. It was introduced to the U.S. as «Apple O’s» in 1965 after being invented by college intern William Thilly. . The latest (limited) edition, in 2010, are Apple Clones, with red pieces shaped like apples.

What is the flavor of Apple Jacks?

Apple Jacks has a apple and cinnamon taste that is appealing with milk. It is a fairly popular cereal that occasionally comes off with spin-offs to keep the product fresh.

Are Apple Jacks the same as fruit Loops?

Apple Jacks has a serving size of one and one third cup and has 150 calories and 13 grams of sugar per serving. This makes it the same as Froot Loops, but with one extra gram of sugar per serving.

What is Apple Jack known for?

Known for her honesty and integrity, Applejack would never stoop to tell a lie. Dependable and down-to-earth, she isn’t afraid of jumping in and getting the job done.

What’s Applejack Liquor?

Applejack is a strong alcoholic drink produced from apples. Popular in the American colonial era, the drink’s prevalence declined in the 19th and 20th centuries amid competition from other spirits. Applejack is used in several cocktails, including the Jack Rose. It is a type of fruit brandy.

Food Theory: Froot Loops and Apple Jacks Are SECRETLY The Same!

40 related questions found

Is apple Jack a whiskey?

Applejack, known as, “America’s First Spirit”, has been a part of American culture prior to earning our independence. . Today, best described as an apple whiskey, Laird’s Applejack is a pure spirit beverage made from a blend of apple brandy and neutral grain spirits.

Does applejack taste like whiskey?

While applejack has a whiff of apple on the nose, on the palate it’s more like a faintly apple-y whiskey: understandable, since it’s only 35 percent apples, 65 percent neutral spirits. . Like the French apple brandy Calvados, though, they’re pricier, so you may be loath to dilute their delicate flavor in cocktails.

Who married rarity?

Rarity is married to Thunderlane. They have two kids; identical twins Rhondolite and Rhodonite, and an older son named TBA.

Who does Pinkie Pie marry?

In the series finale The Last Problem, Pinkie Pie marries Cheese Sandwich and has a son named Li’l Cheese in the future.

Is making Apple Jack legal?

The term that is used most often when referring to the process of making applejack is freeze distillation. In the eyes of the law, distillation in any form is not legal. . There are some regulations on how much water you can freeze out of beer, but it is legal and can be made by homebrewers.

Does Apple Jacks taste good?

Apple Jacks taste absolutely nothing like apples. . Apple juice concentrate, dried apples, and cinnamon are listed among the ingredients, but the pink and green rings seem a neighboring galaxy away from the traditional combo of apple and cinnamon found in apple pie or apple brown betty.

Are Apple Jacks good?

A healthy, low-fat cereal, Apple Jacks is a good source of fiber, provides 11 grams of whole grain, and is an excellent source of 8 vitamins and minerals. A travel-ready food, Apple Jacks are an ideal companion for lunchboxes, after-school snacks, and busy, on-the-go moments.

Did Apple Jacks get smaller?

Grocery Shrink Ray Hits Apple Jacks, Cocoa Krispies, Corn Pops, Froot Loops and Honey Smacks. Kellogg has confirmed that the much-feared grocery shrink ray has now focused its malevolent beam on Apple Jacks, Cocoa Krispies, Corn Pops, Froot Loops and Honey Smacks. Boxes were shrunk by an average of 2.4 ounces.

What color are Apple Jacks?

Originally, the Apple Jacks were only orange and O-shaped, until 1998 when the green O-shapes were added to the cereals. In a marketing promotion in December 2003, the green pieces changed their shape to X’s for a few months.

Does Kellogg’s make Apple Jacks?

Kellogg’s® Apple Jacks® Cereal is a delicious part of any balanced breakfast. Made with three delicious grains, Apple Jacks provides 15 grams of whole grain per 39g serving and is an excellent source of 8 vitamins and minerals.

Who is Twilight’s boyfriend?

Twilight Sparkle is a violet Alicorn, who is the love interest of pony Flash Sentry and was formally the love interest of human Flash Sentry till he got over her in legend of everfree.

Is Twilight Sparkle married?

DisneyFanaticverse. Here, Twilight is one of the four princesses and is married to Rainbow Dash. They have a daughter named Rainbow Sparkle.

Does Pinkie Pie have a boyfriend?

Boyfriend of pinkie pie.

Does Spike still love rarity?

Throughout the series, Spike has been shown to have a big crush on Rarity, calling her beautiful when he first sees her in the show’s pilot episode; in the season 2 episode, «Secret of my Excess»; he admits his crush to her which she accepts. Their relationship has developed to become stronger with the passage of time.

Does Scootaloo ever fly?

Despite becoming a full-grown pony thanks to a magical artefact in Growing Up is Hard to Do, Scootaloo never once tries to fly.

Does Rainbow Dash get married?

Here, Rainbow Dash is married to Soarin Skies, and they have 2 kids: Twister Breeze and Windy Breeze.

Is brandy same as whiskey?

Brandy is a distilled liquor that is made from fermented fruit juice or wine. Whiskey, on the other hand, is a distilled liquor made from a fermented grain mash.

Is apple brandy the same as Calvados?

The first and most important thing to know about apple brandy is that it must be made from apples and nothing else. . Unlike its cousin Calvados, American apple brandy doesn’t play by a strict set of rules. Calvados must be produced in the Normandy region of France and must be aged in oak casks for at least two years.

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Larry Jackson details role as Apple Music’s ‘conduit to culture’

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Apple Music Head of Content Larry Jackson in a recently published podcast spoke about how his role at Apple, his background in the industry, and what it means to be a «conduit to culture.»

Jackson, who was a top executive at Beats before the company was acquired by Apple in 2014, recently appeared on an episode of «The Boardroom: Out of Office» podcast.

During the show, the Apple Music executive spoke at length about his background in the music industry, including working with Clive Davis; meeting Jimmy Iovine to work at Interscope and Beats; and trying to get Beats by Dre headphones into Target and Best Buy.

As far as his tenure at Apple, Jackson opened with detailing how he originated and executed the concept of bringing battle series Verzuz to Apple Music.

One interesting tidbit about the collaboration between the battle series is that Jackson originally reached out to Instagram to speak about a potential partnership — and didn’t hear much enthusiasm.

«I reached out to Instagram, and it didn’t seem like they could be bothered, to be honest with you,» Jackson said. Eventually, Jackson reached out and worked with Jack Dorsey of Twitter to bring a live social component to the series on Apple Music.

Besides Verzuz, Jackson also spoke about his early days at Apple. For example, he recalled his initial meetings with Apple SVP Eddy Cue, and how he once visited the home of Steve Jobs shortly before he died — and remembers «the immense sadness of that day.»

He also spoke about how Jobs helped Iovine scale Beats, and why he was initially skeptical that Apple would take an interest in the company. «I was really dubious that Apple was really into us . everybody plays poker there so well, so I didn’t really think that it was ever going to come to be,» Jackson said.

Jackson also spoke about how Beats Music served as the «chassis of the car» that Apple build its own streaming service on top of. More specifically, how he worked with data scientist Adam Bly to come up with the algorithm that Beats Music used to tailor its recommendations.

Applying some of the «philosophical» approach to data that Bly was spearheading to the algorithm, Jackson said that the team was able to produce a system that «knew you . better than you knew yourselves.»

The Apple Music executive also spoke about how the company approaches creative initiatives differently. At one point in the podcast, host Kleiman notes that Apple Music appears to have a «record label closeness» to artists that isn’t normally so central to a music distribution platform.

«If you’re operating and navigating through an overly commoditized landscape, you have to provide something that differentiates yourself from the people across the street,» Jackson said. Some of those creative decisions, Jackson said, include genre playlists like «Rap Life» and projects with Lil Wayne.

Jackson’s entire interview is a lengthy one, and well worth a listen for anyone interested in the music industry or music streaming. You can find it on Apple Podcastshere.

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